Journal

A Journal of Western Swing History and Culture

Original research, artist monographs, close readings, and cultural histories devoted to the music, people, and places that shaped Western Swing.

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Most Recent Publication

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Series

Close Readings

Focused studies of a single recording, song, or performance moment, read closely and placed in historical context.

1 essay
Series

Artist Monographs

Long-form essays on the musicians, arrangers, and writers whose work formed the core of the music.

3 essays
Series

Cultural Histories

Essays on radio, migration, dance halls, labor, and regional culture as the larger world that made Western Swing possible.

4 essays

Archive

Browse the Published Work

Close Readings

Close Reading

“San Antonio Rose”

Bob Wills’s 1938 studio improvisation, the reverse bridge of “Spanish Two Step,” and the making of one of the best-known recordings in American music.

Artist Monographs

Artist Monograph

Leon McAuliffe and the Steel Guitar

How an eighteen-year-old from Houston built a vocabulary for an instrument that had no settled place in the music.

Artist Monograph

Milton Brown: The Founder-to-Be

Milton Brown died at thirty-two, having already helped invent the music that would continue after him.

Cultural Histories

A Cultural History

The Fiddle’s Double Life

Bob Wills was the music’s best-known fiddler. The sound that made him famous came from the players around him.

A Cultural History

Radio and the Geography of Taste

KVOO, WBAP, and the broadcast infrastructure that carried Western Swing across the Southwest and beyond.

A Cultural History

Sawdust and Saturday Night

The Texas dance hall as a social world, a physical space, and a crucial setting for the emergence of the music.