I love researching, talking about, and sharing the cultural influence of Western swing across the American Southwest. This journal is where I follow the music through its people, places, histories, and continuing life. I’m not an expert, just a curious listener who enjoys asking questions, chasing stories, and learning as I go.

— RON THOMPSON
October 1, 2026

Working Backward: How Bob Wills found San Antonio Rose inside another song

In November 1938, Bob Wills and His Texas Playboys were in a Dallas recording studio. They needed more material. Art Satherley, a record executive for Columbia Records, asked Wills if he had anything similar to "Spanish Two Step." That song was a popular instrumental the band had recorded three years earlier.

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September 1, 2026

Out From Behind the Curtain: Bob Wills, Monte Mountjoy, and the night Western swing brought its rhythm to the Grand Ole Opry

In the 1930s and 1940s, country music was divided by geography. In the Southeast, the music was built on acoustic string bands playing traditional mountain songs. In the Southwest, bands mixed fiddles with jazz horns, blues guitar, and a heavy dance beat. This Texas style became known as Western swing, and it required a strong rhythm section.

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August 1, 2026

From Honolulu to Fort Worth: How the Hawaiian steel guitar found its way into Western swing

The sound of Western swing relies on the sliding, crying tone of the electric steel guitar. That sound did not start in Texas. It started in Hawaii in the late 1800s.

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July 1, 2026

423 North Main Street: How Cain’s Ballroom helped carry Bob Wills and Western swing across the country

The floor is maple, spring-loaded, and laid in a concentric square pattern that carpenters call log cabin. It was designed to absorb the weight of hundreds of dancers moving at once and to return that energy upward through the soles of their shoes. A four-foot neon star hangs above it. A silver disco ball catches whatever light the room offers. On the walls, oversized portraits of musicians look down from black fiddle-shaped frames, each lit by a single red bulb. Bob Wills. Johnnie Lee Wills. Ernest Tubb. Hank Williams. Tex Ritter. Kay Starr. Tennessee Ernie Ford. The portraits have been watching the floor for decades, and the floor has been holding everyone who steps onto it for a century.

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June 1, 2026

The Dark Side of the West Coast Swing Scene: Spade Cooley, Ella Mae Cooley, and a career that ended in murder

Spade Cooley helped define western swing on the West Coast, building a career through records, ballrooms, radio, and early television. In 1961, that career ended with his conviction for the murder of his wife, Ella Mae Cooley. The story is part of western swing history, and one of its darkest chapters.

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May 1, 2026

T-Bone Shuffle: T-Bone Walker and the Texas roots of an electric blues standard

Around 1933, two teenage boys in Dallas had a routine. One played guitar while the other played bass, and then they switched. They danced for tips on the street, passed a hat, and made enough money that neither one bothered going back to school. The guitar player was Aaron Thibeaux Walker, who went by T-Bone, a corruption of his middle name. His friend was Charlie Christian. Within a decade, Christian would transform the role of the electric guitar in jazz with Benny Goodman’s band. Walker would do the same thing for the blues. They figured it out together, on the same streets, sharing the same instrument, before either one had any idea what the instrument would become.

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APRIL 1, 2026

A Musical Taproot: How Western swing worked its way into American popular music

In the spring of 1955, a guitarist from St. Louis named Chuck Berry walked into Chess Records in Chicago carrying a reworking of a song he had been performing at integrated clubs across the Midwest. The song was Bob Wills' "Ida Red," a Western Swing fiddle tune the Texas Playboys had recorded in 1938. Berry had quickened the tempo, rewritten the lyrics into a story about a car chase and a faithless girlfriend, and retitled it "Ida May." Leonard Chess, the label's founder, liked everything about it except the name. He thought it sounded too rural. Someone spotted a mascara box on the studio floor, and the song became "Maybellene." It went to number one on the R&B chart and number five on the pop chart, sold a million copies before Christmas, and is now recognized as one of the founding recordings of rock and roll.

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MARCH 1, 2026

The Rhinestone Cowboy: Nudie Cohn, Tex Williams, and the clothes that gave country music a new stage image

Before rhinestones became shorthand for country music, Nudie Cohn was dressing western swing musicians in Southern California. Tex Williams helped him get started, and the clothes soon grew into a language of their own: bright gabardine, embroidery, fringe, boots, and stage suits designed to be seen from the back of the room.

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February 1, 2026

Radio and the Geography of Taste: How the noon hour helped Western swing find an audience

Western swing reached much of its first audience through radio. From WBAP in Fort Worth to KVOO in Tulsa, powerful signals carried the music across the Southwest, often before listeners ever saw the bands in person. Daily broadcasts turned fiddles, steel guitars, and swing rhythms into familiar sounds at the kitchen table, in the workshop, and behind the wheel.

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January 1, 2026

Sawdust and Saturday Night: The dance halls where Western swing became working music

Western swing was built for people who came to dance. Long before the music had a name, Texas halls were giving Bob Wills, Milton Brown, and their contemporaries a place to test songs, stretch solos, build bands, and learn exactly what could keep a crowded floor moving on Saturday night.

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DECEMBER 1, 2025

Western Swing as a Cultural Indicator: What the music reveals about migration, technology, work, race, and identity in the American Southwest

A Western swing band communicated more than music onto the stage. Fiddle tunes, blues, jazz, polkas, radio advertising, electric instruments, migration, and the working life of the Southwest all found their way into the sound. Listen closely and western swing becomes a record of the America that made it.

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